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An old fashioned courtship…

Midwinter Sun: A Love Story (ebook) is on sale for 99 cents through July 20. Midwinter-Sun.300x450

The old-fashioned courtship takes place in 1915, between a woman and man who’ve reunited after a disappointing start fifteen years earlier. Though it’s book 3 in the Mountain Women Series, it can be enjoyed as a stand-alone. Grab a copy, or if you’ve read it, tell a friend!

author control, character change, creating a world, fiction, good characters, The Girl on the Mountain, Writing

The Novelist as Control Freak

It’s been noted before that one of the pleasures of writing fiction is to create and populate a world. How God-like! But novelists get to go farther than God, because they’re engaged in the business of fiction. Without someone manipulating every word and deed, fiction has no life. Writers have control, baby.

So writers get to project events as they’d like them to happen, or as they fear events could happen. As they make characters lovable or despicable, reward and punish them, writers show what they value, whether love, physical attractiveness, superhuman skills, or everyday hard work.

Near the end of The Girl on the Mountain, one of my minor characters tells the main character he’s writing a book similar to Dracula, a novel read by several others in the story and popular in the real world of 1899. She asks why he’s making a story about a monster when there’s so much evil in ordinary people. He says the more grotesque and evil the character, the more the ending will satisfy.

Like my heroine, I think there’s abundant evil in ordinary people. Rather than concocting monsters, I’d much rather explore what is true. But the writer-character (the teacher, Mr. Cooper) makes a valid point. An audience is relieved, after experiencing fictional dread and fear, when a situation ends and resolves in a satisfying way. You know the feeling when your emotions have been stretched, then brought to rest on a good ending. Whew!  It worked out! What a ride!

Here’s a secret: a story doesn’t always work out like the control freak intended. Like real life, fictional events and characters can get out of hand. Writers frequently talk about characters taking on a life of their own, doing things the author didn’t plan. I think this happens when our characters are so well-fleshed-out that what they do and what happens to them becomes inevitable. I wouldn’t have chosen to put my innocent young heroine through so much trouble, but that’s what happened, because of the people I put around her. I found a couple of scenes emotionally difficult to write. If you’ve read the story, you may guess which ones.

So back to the beginning. Writers of fiction may be control freaks, but we’re never totally in control. First we must wrestle with the inevitable. THEN we release the story to readers. Once that happens, readers take over and experience it through the lenses of their own sensibilities. I think that’s a good thing.